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Figment Bee

by The Figment Bee

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eric a mackay
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eric a mackay I love these works! They include aspects of ambience, alternative approach to the construction, really interesting musical progressions. Compelling lyrics and a thoughtful approach to topics that don't usually get mentioned. Vaccuum, seemingly (i could be wrong...) about someone who has moved away from a religious tradition and excited about seeing what comes next. Favorite track: Vacuum.
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1.
You are the sum of all of your parts Squared and then squared again A walking gestalt stuffed into a cardigan The tiniest truths turn hands on clocks Hold up your socks, splash waves on docks Disintegrate rocks Today the hillside’s maroon and rust-brown and ochre The sky’s purple-grey like the breath of a smoker The vibrating hues wiggle your retinas Like an insect’s antennas (da dooo do do) it’s a song that goes like this: (da dooo do do) it’s a song that’s easy to miss it’s the song of the anvil and hammer as it swings it’s the song of the hummingbird humming its wings it’s the bliss and the blur that makes everything, everything The hum of vibrating strings wiggles your eardrum and All of the strings at the core of your cerebrum The tiniest truths resonate tones Through hair and through bones And the songs that I cull from the hull of my skull (da dooo do do) it’s a song that goes like this: (da dooo do do) it’s a song that’s easy to miss it’s the song of the anvil and hammer as it swings it’s the song of the hummingbird humming its wings it’s the bliss and the blur that makes everything, everything You are the sum of all of your parts Squared and then squared again A walking gestalt stuffed into a cardigan The tiniest truths resonate tones And splash waves on docks And slap waves on socks, Disintegrate…
2.
Poison Test 04:09
Stork, stork with babies blessed Coddled gently in the nest Fork the food for the poison test Ignoring rumours of malignant tumors Fish, fish caught in the mesh Coursing veins through mercury flesh Sewage slurry silage and silt Ignoring rumours of malignant tumors They say that this is for the best We don’t need poison test But let me tell you how When I was young I was a fish and was part of the world … of the world Head, head not straight on put Metal liver, blood of soot Cluttered heart and shredded lung Ignoring rumours of malignant tumors They say that this is for the best we don’t need poison test but let me remind you that when you were young you were a fish and were part of the world … of the world Razor, razor precipice Unshakable faith in hit and miss Market birds perched on the tree One flies, the other flee Ignoring rumours of malignant tumors They say that this is for the best we don’t need poison test but let me remind you that when you were young you were a fish and were part of the world … of the world
3.
Drinking cold coffee at your wake I’m in a cello on a lake Black water, white caps fill the f-holes The gale is silent as it blows Cold water splash down below and I should be frightened but I’m not Oboes play winding scales like nerves that wither away Forming graphs from patent books: Diagram ‘A’ In the violet night The violet silent night I never made it to your door You’re in a coffin on the shore Standing upright like a pillar A cloud of kites flies overhead And when they find that you’re dead They cluster in the shape of your face Oboes play winding scales like nerves that wither away Forming graphs from patent books: diagram ‘A’ In the violet night The violet silent night
4.
Art 03:29
I wrote the dictionary in the sand by the sea Sprung full-blown like a mighty deed Of some mythical man wielding power in the palm of my hand But of course the tide loves the sand Goodbye proof That’s the truth It’s a fire burning up the roof When the smoke and embers part We’ll have charcoal to make art I sang a symphony from my lips into the breeze Sprung full-blown like a mighty deed Of some Renaissance Man advancing civilization But of course the wind just blew it away Goodbye proof That’s the truth It’s a fire burning up the roof When the smoke and embers part We’ll have charcoal to make art
5.
Vacuum 03:01
Is it shining new and fresh as day or rotting in a cage? Does it cool you like a winter breeze or burn you up with rage? Is it shallow as a wading pool or deeper than a well? What got sucked into the vacuum where faith used to dwell? Does it hold your feet firm on the ground or does it get you high? Is it bleeding like the impact of a hard philosophy? Does it drive you to resentment, does it drive you to forgive? What got sucked into the vacuum where faith used to live? Is it a source of terror or is it a source of bliss? Does it provide the things you need or take the things you miss? Is it a source of laughter or is it a source of tears? What got sucked into the vacuum where faith lived all those years? Is it something you’re embarrassed by or something you ignore? Is it something that consumes you to the core of every pore? Does it make you content with less or salivate for more? What got sucked into the vacuum after you closed the door?
6.
Rounder on a bender Knocked off the fender Feel the scrape of teeth The pavement She is a fragrant maze Of smoky lips Heart failed I’m impaled - I’m impaled On her french inhale Burning buzzsaw band I think she touched my hand Can’t remember things I keep unforgetting Yammering carnal talk How’d I lose one sock And get bleeding knees ‘neath spinning trees - spinning trees And I couldn’t find the record machine To drop a loonie and dance with Irene She didn’t make the scene all night Who’s buddy? Serious silence Vicarious violence Fist meet bone, meet floor Booted out the door Got this friend in Puslinch (it’s a cinch) Stumble down the track Near where Jerry broke his back Don’t drop the sack Did we lose Mac? I used to be a sailor Or maybe a tailor? Play Amazing Grace Lookin in my face Got a friend in Puslinch Stumble down the track Near where Jerry broke his back Don’t drop the sack Did we lose Mac? And I half expect the rifle crack The rifle crack into my back Pay off the witness! Pay off the witness!
7.
Dirty Hands 02:50
Words of mace spraying into your face Corroding skin Whispering ways to win The die is cast, colour-fast with dirty hands Narrow eye don’t look at the weaker ones Fang tooth and licking of flaming tongues The claws are bared and none are spared the dirty hands Shifting sands in one hundred-thirty lands Shaking hands with Mr. Dirty Hands We’re in deep the sickly sweet of dirty hands Helicopter blades race slicing up the dark space Helicopter words spin My ears numb to the din Shifting sands in one hundred-thirty lands Shaking hands with Mr. Dirty Hands
8.
Nonesuch 02:13
Nonesuch, nonesuch Come close your half-masted eyes Wound spring wound down The fidgets of digits subside And never mind the wolves outside They’ll never bite the love inside Never mind the wolves outside Nonesuch, nonesuch The world sighs and throws back its hands On the pillow The richness of breath fills its lands And now you are the wolf outside Shiny tooth and tawny hide Now you are the wolf outside…
9.
Stop 03:20
All the colours boiled down until there’s only two All the options simplified and called truth for you The lights are low and You’re screening out the things you didn’t want to know Call up the menu Call up for pizza Call up the cops Drop a drug and then you Numb yourself and then you Feel your hardened heart stop Deplore, ignore and close the door on pain as old as rocks And build a box and fool yourself you think outside your socks The lights are low and You’re screening out the things you didn’t want to know Call up the menu Call up for pizza Call up the cops Drop a drug and then you Numb yourself and then you Feel your hardened heart stop
10.
You are the weather Each season’s song I forecast the familiar But I’m always wrong Yeah, I’m always wrong You are a roadmap Like one never seen Home’s at the centre The rest is poetry The rest is poetry Where time went? What time spent? Something like half a life There was something rough-hewn That touched me long ago The splinter’s embedded deeply Part of my skin Yeah - you’re part of my skin You are the weather In all of its forms I asked the wind what it was driving at My body feels its reply My body feels reply Where time went? What time spent? Something like half a life
11.

about

On the 20th anniversary of its initial release, "Figment Bee" is back and buzzing. Featuring amazing performances by Pete Goindi, Terry Kinsella and imaginative keyboards and production of Grekk Olafsson, it's a wicked listen.

This album "melds folk and pop with modern fanfares that are smeared with a sense of wonder and innocence that hearkens back to the days of mid-‘60s Cambridge UK, (just when the drugs began but didn't burn oneself out — yet — see: Syd Barrett). One might hear a bit of the Who, the left turn screeches of T. Rex and more inventive than Robyn Hitchcock, and perhaps somewhat dreamier than the sounds of Ron Sexsmith, Tim Butler has much to offer, and definitely makes sense in this fast-paced low-shelf-life music world, because he escapes it completely." - Exclaim! Magazine, Roman Sokal, May 12, 2003

credits

released March 28, 2003

Tim Butler: guitars, bass, vocals
Pete Goindi: drums, vocals
Grekk Olafsson: keyboards, bass, production, laughter
Terry Kinsella: bass
Catherine Badali: flute on "Rounder's Daughter"

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about

The Figment Bee Toronto, Ontario

The Figment Bee is a songwriter who resides in Dish With One Spoon Territory. An avid DIY musician, he has made several home recordings over the years.

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